Hip-hop singer ponders social issues


The herald

Youth Interactive Correspondent

Canada-based Zimbabwean hip-hop artist “Thabo KTheChosen” Chinake said his new album titled “+ Vice” (pronounced “add vice”) was well received as it covers social issues such as mental well-being. , grief and the kind that resonate. with most people.

The album “+ Vice”, released on October 22, is his third self-produced album with Nomad’s Land released in 2018 and Jouska in 2020 being the other two.

Currently based in Calgary, KTheChosen, 25, creates music that is both informative and entertaining.

In an interview with Youth Interactive, TEDx speaker and spoken word artist, KTheChosen believes in the power of storytelling and uses his voice to share the experiences of those around him.

“+ Vice is a concept album that focuses on strong friend watch while exploring mental health during the Covid-19 pandemic.

“The album emphasizes the importance of addressing the root causes of behaviors such as alcoholism that may be due to stress and also questions a wide variety of issues across a range of hip-hop sounds.

“The songs cover colonialism, heartbreak, bad parenting, the pressure of societal expectations and the culture of the club,” he explained.

KTheChosen said each topic has an effect on how we perceive ourselves and how our ability to follow that perception affects our mental health, making the album a must-read for everyone.

In some of the songs he interweaves lyric interludes and musical tracks to tell the story of a deceased female character with each song looking at the different possible factors that may have led to her death.

The title song’s biography – “Her Anthem” – is a group cut with three MCs speaking on empowering women and being a woman in the music industry.

“A global pandemic has occurred and there is economic and political turmoil as the world faces uncertainty about its future.

“I wanted people to familiarize themselves with the mindset I wrote this project in so that they could think about how locking affected the creatives’ ability to make a living from their work while juggling it. the responsibility to be opinion leaders and commentators on social issues. As far as we know, our unnamed character may have been an artist herself, ”Chinake said.

On Dear African Fathers, KTheChosen enlists rapper Soko Matemai to discuss African parenting styles and how they impact their children’s development. Partly inspired by an open letter to black men by Nigerian-American artist Jidenna.

KTheChosen featured a verse by Blackfoot artist TRIBETheArtist as well as vocals and percussion by Cree artist Chantal Stormsong Chagnon on LONO, an old phrase meaning “locals only, no outsiders”.

The song examines the effects of colonialism, particularly Indigenous Canada, using the metaphor of children on a playground.

The song – “Which one ru” – looks at spectator intervention and club culture.

It was inspired by a New Zealand sexual harm prevention campaign known as Who are you?

The first verse tells a typical story of a night out while the second verse points out what was wrong with the first verse and offers solutions for each situation.

It was also a direct response to a conversation South African comedian Trevor Noah had with The Breakfast Club radio show about the culture of consent.

Other songs on the album include – Courtship – which depicts a man trying to convince a woman that he wants to be in a serious relationship with her by using playful hints to sports references.

As he puts the mark, he also examines the double standard that exists in dating expectations for men and women as well as the judgment that famous black couples face.

Kintsugi, also known as “golden mending,” is the Japanese art of mending broken pottery by mending the broken areas with powdered gold, silver, or platinum.

KTheChosen uses this same idea to remind us to be kind and patient with ourselves and to see the beauty of our flaws.

Petrichor focuses on one of the central themes of the project, mourning. We mourn the loss of the anonymous character but also sympathize with all those who have lost loved ones during the Covid-19 pandemic.

The second verse highlights how social media has made an already delicate human experience even more difficult with the deaths of celebrities and the martyrdom of those who have died from racial violence.

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